![]() The settings for these are shown below.Ħ. Add an EQ insert on the LOW DIST Bus, followed by a compressor and then an overdrive plugin. Name the three busses “LOW DIST”, “MID DIST”, “HIGH DIST”, respectively and then route them to a Bus called “BASS SUM”.ĥ. Route the DI channel to three Busses of your choosing like it is shown below.Ĥ. We are now going to split the signal across multiple busses so we have more control over the different frequency bands when distorting the bass tone. Match the settings of your amplifier to the ones shown below.ģ. Next you will need to set up a bass amp emulator, we are using a model based on the Ampeg SVT just to convert the DI signal into something that sounds amplified. If you are using the preset this will already be set up for you with the EQ Match plugin inserted – You will need to “teach” the EQ Match the DI signal you are running into it and then match it against the EQ saved within the preset.Ģ. If you want to use the preset I have created, you can download it here: DJC Music Producer Metal Bass Preset.patchġ. You can use a sampler in place of a DI and match the output volume previously mentioned. It is also written with the expectation that the Bass DI being used is recorded between -12db and -9db. The plugins used in this guide are exclusive to Logic Pro X but every DAW has similar plugins that can be used to achieve the same results.
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